Rebeka's practice is rooted in embodied physical & vocal discovery, collaboration & play. They access text and character through its rhythm, musicality and dynamics, emphasising the collective in the room. Their work explores themes of migration, folk traditions, climate justice and queerness; subverting gender roles through the physical language of their performers and theatre spaces with an approach that is multidisciplinary and holistic, including natural voice, movement, live music and writing.
Places I Never Think About
By Transit Productions
Creator - Musical Director - Performer
Per
Performance: Applecart Arts, 2024, The Lion & Unicorn Theatre, 2023
Scratch: Omnibus Theatre Enginge Room, Voila Miniatura 2022
R&D: NDT Broadgate, 2022
A powerful & queer retelling of myths and folklore from Eastern Europe. Through polyphonic singing, live music, storytelling & dance.
"Rebeka Dio, Billie Grace and Irina Anghel have created something really rather special with Places I Never Think Of, and it’s a production that contains a great deal of quiet beauty. It’s a world which isn’t without its dark places, but it knows that even in the hardest of times we need to seek out moments of joy, and celebrate the diversity that surrounds us." - Everything Theatre (review)
Croc in a Hard Place
Movement Director
Written by Rori Endersby. Supported by Arts Council England
The Useless Cabaret
by The Really Useless Group, a comedy trio consisting of Sinead Hegarty, Leoni Amandi and Rebeka Dio.
The Bill Murray, 2023
The GLITCH part of Vault Festival, 2023
A musical sketch comedy exploring modern life as a queer creative in the clutches of social media.
'Don’t miss their performance of guaranteed giggles and guffaws.' - North West End Reviews (5 stars)
Mammy Be Grand
Movement Director, Creative Facilitator
Written and created by Aoife Beaumont Howell
Performance at Theatre Peckham, 2023
R&D at The Arcola Theatre, 2022
Transit
By Transit Productions
Creator - Movement Director - Performer
The Cockpit for Voila Festival Europe, 2021, 2022
Offie nominated
Transit is a surreal exploration of the assimilation /naturalisation process in the United Kingdom, we follow two immigrants as they are confronted with the less than fairytale reality of what it is to live, work and work in the UK when you were born somewhere else.
A sensorial journey told through live music, dance, poetry and verbatim interviews. Inspired by the biomythic tales of the creative team. Exploring notions of belonging, migration and displacement.
What Makes a Body Terrifying?
Sound Designer
The Hope Theatre, 2022 supported by Arts Council England
'Complimenting this performance is Rebeka Dio’s equally entrancing sound design and accompanying music from ‘Dongő’ Balázs Szokolay. The sounds sweep over us like the lapping waves we regularly hear, enough to lure us further into their embraces. We may never want to leave.' - Everything Theatre (5-stars)
What Makes A Body Terrifying is a queer exploration of two strikingly similar folk tales: the Slavic Rusalke and the Celtic Selkies. These two folk tales centre around mythical sea-people - said to shed their skins and become dangerous, beautiful human-forms, who seduce sailors and lure them to their deaths. This piece explores how they use narrative and rhetorical devices to create fear, and how these parallel with the ways fear is generated against queer bodies.
THIS IS WHAT DREAMS ARE MADE OF
By TRANSIT Productions
For SPRINT Festival, Camden People's Theatre, 2024
This is What Dreams Are Made Of makes fun of bureaucratic systems and its ability to suck all the joy out of living in this country. It's playful and punches up, by using clowning, contemporary theatre forms, and queering of cultural mythology to empower those often silenced into ‘case workers’ notes by the home office. It's immersive and puts the audience right beside the person going through the naturalisation process, not as a distant headline but as an active participant.
The show is joyful and direct - it's based on our lived experiences of going through the naturalisation process, its tests and ceremonies.
Bad Sex
Director
Riverside Studios, 2022
Written by Theo Hristov. Loosely based on real events, Bad Sex paints a portrait of the artist as a young man adrift in a city that never sleeps. Liam is a young American actor in the middle of a long West End run when, exacerbated by alcohol and drug abuse, past trauma and unchecked male privilege catch up with him, prompting him to walk off-stage mid-performance in a very public breakdown.
"Bad Sex is like a shot of flavoured vodka. It will mess you up a little, and leave a bitter aftertaste, but its hidden umami flavour will get you asking for more." - West End Evenings review
What Makes a Body Terrifying?
Sound Designer
The Hope Theatre, 2022 supported by Arts Council England
'Complimenting this performance is Rebeka Dio’s equally entrancing sound design and accompanying music from ‘Dongő’ Balázs Szokolay. The sounds sweep over us like the lapping waves we regularly hear, enough to lure us further into their embraces. We may never want to leave.' - Everything Theatre (5-stars)
What Makes A Body Terrifying is a queer exploration of two strikingly similar folk tales: the Slavic Rusalke and the Celtic Selkies. These two folk tales centre around mythical sea-people - said to shed their skins and become dangerous, beautiful human-forms, who seduce sailors and lure them to their deaths. This piece explores how they use narrative and rhetorical devices to create fear, and how these parallel with the ways fear is generated against queer bodies.
Skin in the Game & Bike Shed
Director on short plays by Lucy Davidson & Jack Albert Cook.
Director Theatre 503 - Rapid Write Response, 2022; 2023
The Fields of Asphodel
Co-Director - Movement Director - Producer
The Fields of Asphodel, written by Aoife Beaumont, explores the lives of seven women throughout history finding themselves stuck in Purgatory with only two of them allowed to move on. In this liminal space between Heaven and Hell, the characters ponder the morality of their decisions made during their lives and go on a journey of personal redemption.
A story of love, sin and expection told through song, movement and text.